Peter Jackson has a single directorial project known of, this is The Adventures of Tintin: Prisoners of the Sun. A sequel to the animated Tintin written by Doctor Who helmsman Steve Moffat. Not written by Moffat this time but driving force behind Midsomer Murder Anthony Horowitz (who might have done some other stuff also).
Bit boring then, but after directing, producing and writing six of the most successful films of all time I suppose a rest is in order.
What Scifind Would Like To See.
Well there are two things we would really LOVE to see Peter Jackson do in the next few years.
An Episode of Doctor Who.
Jackson has been a life long fan of The Doctor, he has gone on record a number of times saying he would do it for free (but those dalek props look like good compensation). I see no good reason for this not happening. If it has been announced already I have missed it!
Of course he has already dipped his toe in Doctor Who folklore and has appeared in the comedy short The Five Ish Doctors.
Revisit Bad Taste
A sequel to the original, with the original cast would be amazing. I am sure the Peter could throw a few quid at it but would love to see him go back to shoestring budget. Go on Peter. You know you want to. Draw out £100,000 of that Hobbit money and take a couple of years with your mates to make the sequel or sequels (trilogies are in don’t you know) that I would like to see. (and I would think a few other people would like to see it also.)
Failing that a close second would be a remake of Bad Taste, humour and gore in place.
Don’t know what Bad Taste is?
Bad Taste was Peter Jackson’s first film to gain recognition. A comedy, scifi, horror made by Jackson and some friends using a single camera virtually no budget and a lot of favours.
Synopsis: The population of a small town disappears and is replaced by aliens that chase human flesh for their intergalactic fast-food chain.
In “The Hobbit: The Battle of the Five Armies”, Ian McKellen returns as Gandalf the Grey, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. The international ensemble cast is led by Evangeline Lilly, Luke Evans, Lee Pace, Benedict Cumberbatch, Billy Connolly, James Nesbitt, Ken Stott, Aidan Turner, Dean O’Gorman, Graham McTavish, Stephen Fry and Ryan Gage. The film also stars Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Orlando Bloom, Mikael Persbrandt, Sylvester McCoy, Peter Hambleton, John Callen, Mark Hadlow, Jed Brophy, William Kircher, Stephen Hunter, Adam Brown, John Bell, Manu Bennett and John Tui.
3D AND BLU-RAY ELEMENTS
The Hobbit: The Battle of the Five Armies 3D and Blu-ray contain the following special features:
• Recruiting the Five Armies
• Completing Middle-earth
• The Last Goodbye Music Video
• New Zealand: Home of Middle-earth, Part 3
Standard Street Date: 20th April, 2015
Running Time: 144 minutes
It is Sunday evening at 6pm, and for most of the afternoon I have been sitting uncomfortably in the Odeon Leicester Square in London watching a screening of Peter Jackson’s new LOTR movie, The Hobbit. Uncomfortably not just because the film is long (too long by far), and not just because the Odeon’s seats are ruthless on your nether regions (some padding towards the rear of the seat would be nice, guys!), but because as I watched this ‘epic’ I knew I would have to write the following words:
The Hobbit is a pretty bad film
Phew, there, I’ve said it. So, let’s start with Mr Jackson’s much vaunted 48fps HFR 3D technological breakthrough. Oh dear lordy, for all that is good in the world, let this technology die right now! I am a real fan of 3D movies, thinking they often have a certain additional depth to them that helps make the movie-going experience more immersive. But guys, what the heck went wrong with The Hobbit? Are you telling me that someone has sat down, watched the film on a big screen and signed off on it?! If they have then they deserve the sack, because this film looks bad, very bad. Now, let me discuss the 48fps issue. There have been accusations from early part-screenings that this process made the film look like an HD TV series, pristine and shiny. Jackson et al claimed this was because the film hadn’t been graded, coloured, and generally ‘film-ified’ yet. “Don’t worry” they said, “it’ll look epic and grand on final release”. Well my friends, we have been duped. It looks like the shiniest of shiny things ever. Pristine is a good word for it, but STERILE is a far better one. There is rarely a scene with any ‘filmic’ feeling to it, everything is just so goddamn clean and crisp and perfect. It really DOES look like a top end HD TV production. There are a few saving graces, such as the battle scenes and the Gollum cave sequence where things get better, mostly due to interesting lighting and darkness. But overall it is all way too clean to feel like a LOTR movie. Is this the end of the world, or the very start of a new one? Who can tell. It doesn’t destroy the movie but it does lack warmth and flavour and the heightened sense of reality forces you away from the film rather than bringing you closer to it.
But that’s not the real bugbear I have with 48fps, oh no. There was a much greater, more aggravating issue. Now, it may have been a technical fault with the Odeon’s brand spanking new equipment. Possibly they don’t have it ‘run-in’ quite correctly. But throughout the screening we were subjected to sudden and terrible speed-ups, where a person would be moving across screen and suddenly speed up for a second or two. Or when they were talking. Or during a battle scene. Or…well, so often I lost count. It was as if the film were buffering and catching up with itself. A symptom of 48fps technology and all-digital prints & projectors? I know not, but it really did destroy the film for me, it was like adding a Benny Hill sketch into an epic Western. Utter technical failure. End of story.
So what then of the Jackson claim that 48fps would enhance the Real3D experience and make the movie more immersive? Well, it might have if not for all of the above and the fact that it seems WETA allowed the work experiencers to do the CGI and blending. The Hobbit never once achieved what the previous LOTR films managed 90% of the time, and that was to blend the CG with the real and make it all seem as one. In scene after eye-sapping scene the CGI backgrounds and creatures looked like badly layered early 2000’s computer game characters. In fast moving scenes actors appeared completely disconnected from their surroundings. Feet floated above and away from CGI landscapes, and as for poorly matted and layered…don’t get me started. Who cleared this film for theatrical release? Technologically the 3D (except in close-ups and real landscape shots), looked cartoonish and low resolution. The blending of real and CGI was cringe-worthy, and the sense that you were watching a 10-15 year old computer game cut-scene built throughout the movie. If you HAVE to see this movie, see it in 2D, because the 3D print is truly lamentable.
So that is the technology considered, but what about the story, the plot, the purpose of the movie? Well, it’s not terrible. I honestly can’t say it is epic, or thrilling or life-changing. The sense of scope and proportion wanders between small and personal to grand and majestic. But it does so with stops and starts, stumbles and staggers. Rarely does The Hobbit flow from scene to scene. It is as though everything we loved about Peter Jackson’s vision and style in LOTR has been erased by The Lovely Bones and replaced by whip-pans, juddery camera moves and just-a-fraction-too-early editing style. Add in some often-wooden, occasionally forest-like acting (sorry Sir Christopher and Sir Ian!) and a dearth of believable side-characters and you are left with a movie that is an hour too long, and a soul too missing. Not to say there aren’t some good performances…Martin Freeman owns the role of Bilbo and is immediately loveable and relatable. King Thorin and a few of the dwarves are likeable and well-rounded. But Gandalf feels lacking in purpose or reason, Sir Ian offering a muted and not altogether weighty performance. Hugo Weaving appeared to have phoned his Elrond in from another film-set (while doing his best to sound like David Bowie in Labyrinth), and Sir Christopher Lee’s CGI’d in Saruman was so lacking in spirit it was a geek-tragedy. But in all this there was one shining light…the brilliant Sylvester McCoy as Radagast the Brown was pitch-perfect, mysterious and loopy yet courageous and outrageous. A true Tolkien character brought to life with flair and charm. If only the rest of the film could have been populated by such well-crafted and well-acted characters.
Once again, Andy Serkis comes to the rescue (although possibly not in his role of second-unit director). The scenes with Gollum and Bilbo under the mountain playing a game of riddles are superb. The CGI is magical, the setting exquisite, the lighting and blending spot-on. Why oh why couldn’t the rest of the film have been made with such love and care? Gollum is a whole new creature here, expressive and exciting, terrifying and unstable. You feel the threat he poses, and yet you continue to sympathise with him. His look of pain, anguish and sadness at losing his precious is heartbreaking. Congratulations to the Gollum team who produced another unsurpassed moment of movie magic.
While in no way perfect, the story is certainly interesting and stays pretty close to the book. The additions of some Dwarf/Orc history are superbly handled (with some of the better CGI work employed here). It is to the film’s credit that the backstory to the Dwarf’s quest is explained so well and so succinctly. I’m not so sure about some of the ‘fan service’ additions, such as lines repeated from the original trilogy, and knowing nods and winks. But all in all the film trots along its trail without too many stumbles. Sadly, our return to Rivendell is marred by it looking like a matte-painting taken from a late 80s kids TV show. In fact a lot of the film feels oddly akin to a Russell T Davies CBBC series…lots of running around in front of green-screen and a set of CGI backgrounds that feel like updates on the old Captain Zep early 80s technology. My over-riding thought throughout The Hobbit was that I was hankering after watching some classic Knightmare episodes, rather than wanting to keep watching the film. I might just do that, or put Labyrinth on…something with way more character, soul and sense of the epic.
I really was looking forward to The Hobbit. While the book is certainly a classic, it has never been a rip-roaring adventure tale. However, the masterpieces that were the original LOTR trilogy had me believing Peter Jackson & co would pull something special out of their knapsack. Unfortunately all they’ve done is tire my bottom out, give me a sense of loss and annoyance, and made me want to go find the person who is pushing 48fps Real3D technology and introduce them to the words ‘Over my dead body!’
With the Hobbit we return to Middle Earth, but it isn’t how we remember it. It is all shiny and computery and cut-sceney. It is full of pixels and cartoonish speed-ups. It groans with the weight of expectation and falls flat on its need for putting technology before storytelling. Please Mr Jackson, re-grade and re-colourise the film, put it in 2D and turn the volume down just a tad…cut about 40-60 mins from it and sort out the lack of scope. THEN I’ll be the first in line to buy the Blu-ray edition!
LEGO The Lord Of The Rings is based on The Lord of the Rings motion picture trilogy and follows the original storylines of The Lord Of The Rings: The Fellowship Of The Ring, The Lord Of The Rings: The Two Towers, and The Lord Of The Rings: The Return Of The King. Now the entire family can team up in pairs as adorable
LEGO The Lord the Rings minifigures to experience countless dangers, solve riddles and battle formidable foes on their journey to Mount Doom.
LEGO The Lord Of The Rings takes players along on the adventures of Frodo Baggins and his unlikely fellowship as they set out on a perilous journey to destroy The One Ring and save Middle-earth. Kids, tweens, teens and parents can traverse the Misty Mountains, explore the Mines of Moria, knock on the Black Gate of Mordor, and partake in epic battles with Orcs, Uruk-hai, the Balrog and other fearsome foes while harnessing the humor and imagination of LEGO gameplay to solve puzzles and explore Middle-earth. Players will take on the form of their favorite members of the fellowship – Frodo the Hobbit, Aragorn the Ranger, Gandalf the Wizard, Legolas the Elf, Gimli the Dwarf, Boromir a Man of Gondor, and Frodo’s Hobbit friends Sam, Merry and Pippin – as they relive the most momentous events from the films.
LEGO Lord of the Rings – Recreating Middle-Earth
LEGO video games are possibly some of the best out there. Building on the biggest movie franchises, LEGO video games dominate in humour, playability and longevity. At Scifind we are really looking forward to the LEGO Lord of the Rings Video Game no matter if it is played on Xbox 360, PS3, wii, DS / 3DS or PS Vista.
Mini Model Shop is packed with the latest cool collectible memorabilia, including figures of characters, scenescapes and artefacts from a range of TV shows and films.
Mini Model Shop shows an up-to-date, ever increasing range of merchandise we have in stock. Whether you are searching for a special edition or a unique gift, we have that exclusive special something you are looking for.
Now I have noticed that with the case of LEGO Lord Of The Rings, very similar MINIFIGS started to appear in the ‘Kingdoms’ range (orcs / wizards etc). Which have now seemed to dissapear from their website gearing up to the new line of LEGO Lord Of The Rings Toys, (see this link, click Themes then Kingdoms).
Lately we have seen the DINO range of LEGO appear, I am wondering if this is a generic set launch before the announcement of the Jurassic Park range?
Take a close look at the LEGO Dino sets featured on the right or on the official LEGO WEBSITE, looking likely?
Although dinosaurs are generic, the types of toy sets being produces obviously pulls from the Jurassic Park mythos.
May 24th 2010 sees the much anticipated release of Dragon Storm through Revolver Entertainment.
Set in a fantasy medieval realm two Kings are feuding. King Fastrad is continually plotting to invade the neighboring kingdom of his nemesis, the noble King Wednesbury. It is not until King Fastrads castle is attacked by dragons that he must swallow his pride and beg King Wednesbury to come to his aid.
Together they must work together to protect their kingdoms from being ravaged by the deadly dragons, so a team of skilled warriors is assembled to kill the beasts.
Action packed with stunning special effects Dragon Storm is a modern take on the great fantasy films of old. Starring John Rhys Davis (Lord of the Rings), John Hanson, Maxwell Caulfield, Tony Amendola and Angel Boris.